![]() (1.5-6.6kHz) - You can give your instruments presence and clarity in the upper range of frequencies. However, too much boosting in the mids can feel overwhelming to the listener. Boosting an instrument in this range of frequencies can provide presence. (250Hz-1.5kHz) - This specific frequency range is at the center of human hearing. This range is necessary to make mixes sound big, though it requires care to get rid of the mud. Here you'll find the bass and kick, as well as the lower frequencies in guitars, vocals, synths, and keyboards. (60-250Hz) - The low-mids provide warmth and fullness in a mix. It's very difficult for our ears to pick out sub-bass frequencies on speakers that don't have subwoofers, so make sure if you choose to EQ them on your system that you can actually hear them. Sub-bass frequencies are very powerful and require tons of care. You might hear these present in sub-bass or super low-pitched bass drums. (20-60Hz) - These super low frequencies are the lowest frequencies in the range of human hearing. Here's a small breakdown of the division of the frequency spectrum: Typically, engineers will break these frequencies up into different ranges of the audio spectrum when working with EQ. When working with EQ, we work in the range of human hearing. The process of EQing starts with cutting unwanted frequencies and boosting those that sound good, all to balance sounds so that they mesh well with each other in the mix. ![]() Of a sound, curing its imperfections and accentuating its good sides. In essence, EQ allows you to manipulate the Equalization, or 'EQ' for short, is a basic form of audio processing that allows us to adjust the volume level of a single frequency or a frequency range of a specific sound or audio signal. ![]()
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